A design icon, this outdoor armchair has a lightweight compact seat. The balance between form and function relies on the use of the Modulor, a scale of human body proportions, and on a mathematical language based on the proportions of universal harmony.
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PRODUCT CARE AND MAINTENANCE
In this manual you will find some recommendations for the care and maintenance of your Cassina products.
The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.
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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.
Designed for professionals and those seeking in-depth information.
2019
A lightweight, compact chair, designed in 1928 and introduced in 1929 at the Salon d’Automne [Autumn Salon], along with other extraordinary pieces, such as the Fauteuil Grand Confort, petit modèle and grand modèle, the Table Tube d’Avion table and the Chaise Longue à reglage continu.
Like the other pieces in the collection, the Fauteuil à dossier basculant armchair is the result of in-depth study of human posture and, in this case, is specifically engineered to provide perfect support for easy-going relaxation that is conducive to conversation.
Its elegant simplicity of design allows the armchair to fit easily in various settings. Now, it also comes in an outdoor version with a special textured paint finish in five colours and with its own dedicated upholstery collection.
Regular use of protective covers, available for separate purchase, helps preserve the aesthetic and functional characteristics of the outdoor product.
However, it is recommended to place products intended for outdoor use in controlled environments such as verandas and covered or partially covered terraces, avoiding full exposure to direct sunlight and weather conditions.
I MAESTRI
In 1922, Le Corbusier began working in the new rue de Sèvres, Paris, atelier with his cousin Pierre Jeanneret with whom he shared research projects and design criteria in a profound and life-long professional relationship.n October 1927, the pair decided to draw on the contribution of a young architect who had already begun to establish a reputation on the architectural scene of the time: Charlotte Perriand. Their collaboration lasted through to 1937 and was extremely fruitful, especially in the field of furniture design.
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