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Gueridon J.M.

DESIGN BY Charlotte Perriand, 2016

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LIKE A RARE TRAY

A designer low table crafted in 1953 by Charlotte Perriand takes inspiration from the traditional Japanese tray with support base, used to serve meals during formal receptions.

DESIGN BY

Charlotte Perriand

Filename
gueridon_jm_530.pdf
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302 KB
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application/pdf
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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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PRODUCTION YEAR

2016

This multi-purpose low table was designed in 1953 by Charlotte Perriand for the residence of her husband who was, at the time, head of Air France's Japanese division in Tokyo.

 

Only nine examples of this stackable table were originally produced, and are inspired by the traditional black lacquered trays set on the floor and used to serve food at official receptions in Japan.

 

The Gueridon J.M. individual table was crafted from one sheet of aluminium, the slot on either side designed to soften the overall look. Epitomising the exquisite craftsmanship proprietary to Cassina, this contemporary take on the Gueridon J.M. comprises a complex procedure where the leather is tailored to the moulded fiberglass base.

Charlotte Perriand

I MAESTRI

Charlotte Perriand

Charlotte Perriand full membership of that avant-garde cultural movement which, from the first decades of the twentieth century, brought about a profound change in aesthetic values and gave birth to a truly modern sensitivity towards everyday life. In this context, her specific contribution focuses on interior composition, conceived as creating a new way of living, still today at the heart of contemporary lifestyle. In the sphere of twentieth century furnishing history, the advent of modernity made possible the entrepreneurial audacity of this true reformer of interior design.

 

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