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Doge

DESIGN BY Carlo Scarpa, 1968

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ULTRARATIONAL EMBLEM

A sculptural structure that has become an emblem of Italian design, a trademark of the new ultrarational movement that in the late 1960s contemplated throwing off the restrictions of Rationalism by returning to traditional aesthetic values.

DESIGN BY

Carlo Scarpa

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doge_w01.pdf
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236 KB
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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

Downloads

Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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dimensioni 2023 W01 Doge
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PRODUCTION YEAR

1968

A veritable masterpiece of the Italian design tradition, this sculpture-like table became, in the late-1960s, the emblem of the “Ultrarazionale” movement which, shrugging off the restraints imposed by the Rationalists, aimed to re- embrace traditional aesthetic values.

 

Part of Cassina’s Simon Collection, the Doge table has been revisited with new textures and new materials. The architectural aluminium or satin-finish steel base, set off by the flat wide profiles, is the essential part of the table, while the elegantly refined mechanism linking top to base can be seen from above, through the glass of the table top.

 

The new-look Doge table is available in five sizes, all taking their cue from Carlo Scarpa’s original design, with the table top being available in float-glass as well as white Carrara or black Marquiña marble.

Carlo Scarpa

I CONTEMPORANEI

Carlo Scarpa
From architecture to works in glass, from design projects to preparing museum exhibitions, the work of Carlo Scarpa has always stood out in the unmistakable way in which it manages to bring together his love for materials, his attention to detail and his masterly elaboration of organic and Wrightian poetics. Architect, designer and artist, Scarpa left the Venice Academy of Art in 1926 and began professional work, but continued to visit craftsmen’s’ workshops and Venetian master glassworkers. For twenty years, right up until the second half of the Forties, he received numerous commissions to design, convert prepare buildings.