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01 Hero w10 rialto contenitori e librerie@4

Rialto

DESIGN BY Carlo Scarpa, 1974

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COMBINABLE ELEMENTS

A containment system; a design bookcase; a broader vision of order and organization that changes its appearance based on space and the rhythms of dwelling.


Along with the center block containing painted shelves or small drawers, a spacer insert used to combine elements becomes an iconic feature in the structure of this wood bookcase.  

DESIGN BY

Carlo Scarpa

Filename
rialto_w10.pdf
Size
1 MB
Format
application/pdf
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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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W10 Rialto dimensions
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PRODUCTION YEAR

1974

Realised in the 1970s, by Carlo Scarpa for his own home, this bookcase was later reworked at the request of Dino Gavina to make it suitable for industrial manufacture.

 

The individual units are linked by a spacer insert. This has become the iconic feature of the design. Almost as distinctive is the central block, which is composed of shelves or small drawers, featuring a matte finish.

 

The units are available in veneered ashwood in a natural or black-stain; alternatively, in lacquered matte black․

Carlo Scarpa

I MAESTRI

Carlo Scarpa

From architecture to works in glass, from design projects to preparing museum exhibitions, the work of Carlo Scarpa has always stood out in the unmistakable way in which it manages to bring together his love for materials, his attention to detail and his masterly elaboration of organic and Wrightian poetics. Architect, designer and artist, Scarpa left the Venice Academy of Art in 1926 and began professional work, but continued to visit craftsmen’s’ workshops and Venetian master glassworkers. For twenty years, right up until the second half of the Forties, he received numerous commissions to design, convert prepare buildings.

 

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