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Carlo Scarpa
Carlo Scarpa designed this design table in 1974, successor to the popular Doge, with which it appears in the Ultrarazionale collection.
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Sarpi - Cassina Pro Collection
DESIGN BY Carlo Scarpa, 1974
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Upholstery Colour
01 Description
02 Dimensions
04 Technical sheet
05 Product care
06 Downloads
FRAME
Drawn brushed metal.
TOP
Glass with beveled and polished sides and rounded edges.
DETAIL
Burnished exposed fasteners.
DESIGN BY
PRODUCT CARE AND MAINTENANCE
In this manual you will find some recommendations for the care and maintenance of your Cassina products.
The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.
Downloads
Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.
Designed for professionals and those seeking in-depth information.
GALLERY
CONTENTS
DESIGNER
PRODUCTION YEAR
1974
Carlo Scarpa designed this masterpiece of a table in 1974, as a successor to the Doge, which is included in the collection known as Ultrarazionale.
While citing some of the same material characteristics as its predecessor, the base of the Sarpi is up-ended compared to the Doge, while the entire piece is smaller so it can fit into smaller spaces.
In 2009, Tobia Scarpa complemented the original octagonal table-top, which was later augmented by rectangular, square and round versions, with an elongated circle option, known as the Elistella, the shape cleverly based on Bernoulli’s Spiral(Spira Mirabilis).
I CONTEMPORANEI
Carlo Scarpa
From architecture to works in glass, from design projects to preparing museum exhibitions, the work of Carlo Scarpa has always stood out in the unmistakable way in which it manages to bring together his love for materials, his attention to detail and his masterly elaboration of organic and Wrightian poetics. Architect, designer and artist, Scarpa left the Venice Academy of Art in 1926 and began professional work, but continued to visit craftsmen’s’ workshops and Venetian master glassworkers. For twenty years, right up until the second half of the Forties, he received numerous commissions to design, convert prepare buildings.