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053 Capitol Complex Sofa
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Capitol Complex Sofa

DESIGN BY Hommage à Pierre Jeanneret, 1960

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THE CHARM OF THE MAESTRO

Capitol Complex Sofa is the settee designed by Pierre Jeanneret with an iconic wood structure in the form of an inverted ‘V’, upholstered in leather or fabric.

FABRIC

LEATHER

DESIGN BY

Hommage à Pierre Jeanneret

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scheda-prodotto-053-capitol-complex-sofa.pdf
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294 KB
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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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PRODUCTION YEAR

2023

Capitol Complex Sofa is the settee designed by Pierre Jeanneret with an iconic wood structure in the form of an inverted ‘V’, upholstered in leather or fabric. The generous padding that envelops the seat, armrests and backrest of the settee signals an immediate sense of comfort.

 

Tied to the history of Chandigarh, the Indian city designed by Le Corbusier in the 1950s, the family of furnishings – which, in addition to the small sofa, includes the equally iconic armchair – pays tribute to Pierre Jeanneret, a key figure in the creation of the city and considered the author of many pieces of its furniture. A distillation of the productive excellence of the Cassina joinery, the sofa structure is made in four types of premium wood: the historic version in teak; in natural oak; in oak stained black and in oak stained dark walnut.

Le Corbusier Pierre Jeanneret

I MAESTRI

Hommage à Pierre Jeanneret

In 1922, Le Corbusier began working in the new rue de Sèvres, Paris, atelier with his cousin Pierre Jeanneret with whom he shared research projects and design criteria in a profound and life-long professional relationship.n October 1927, the pair decided to draw on the contribution of a young architect who had already begun to establish a reputation on the architectural scene of the time: Charlotte Perriand.Their collaboration lasted through to 1937 and was extremely fruitful, especially in the field of furniture design.

 

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