A few measured strokes of the pen and the 3 Fauteuil Grand Confort, grand modèle is the consummate synthesis of form and function. Its innovative spirit makes it an icon of all things modern ‒ deemed a design masterpiece with timeless appeal.
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PRODUCT CARE AND MAINTENANCE
In this manual you will find some recommendations for the care and maintenance of your Cassina products.
The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.
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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.
Designed for professionals and those seeking in-depth information.
1965
With the various models of Fauteuil Grand Confort, grand modèle, the concept of modernity is expressed through the separation between the metal support frame and the upholstered elements.
The loose cushions are set inside a painted or chrome-plated tubular steel cage that forms the primary support for the piece in all its variations ‒ from the armchair with armrest on one or both sides, to the two- and three-seat sofas.
Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authentic nature.
These models are available with a conscious approach to the environment. Thanks to the work carried out by Cassina LAB, born from the collaboration with POLI.design at the Milan Polytechnic, the foam-fill parts, the padding in the cushions and the tubular structure are produced with circular materials and processes.
I MAESTRI
In 1922, Le Corbusier began working in the new rue de Sèvres, Paris, atelier with his cousin Pierre Jeanneret with whom he shared research projects and design criteria in a profound and life-long professional relationship. In October 1927, the pair decided to draw on the contribution of a young architect who had already begun to establish a reputation on the architectural scene of the time: Charlotte Perriand. Their collaboration lasted through to 1937 and was extremely fruitful, especially in the field of furniture design.
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