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Infinito Wall

DESIGN BY Franco Albini, 2020

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CONTEMPORARY RHYTHMS

An extremely functional design wall bookcase designed by Franco Albini combines tradition and modernity in an ongoing dialog between materials and technologies.

DESIGN BY

Franco Albini

Filename
scheda-prodotto-835-infinito-wall.pdf
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647 KB
Format
application/pdf
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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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PRODUCTION YEAR

2020

The Infinito bookcase, designed in 1956/7 by Franco Albini, has expanded to include a new fixed to the wall version with a different and more stable floor support.

 

This model was developed - in constant collaboration with the Maestro’s heirs - taking as its main reference a project designed by Albini himself together with Franca Helg in 1958, now on show at the Albini Foundation headquarters, together with drawings made for its reissue by the company Poggi.

 

Infinito Wall is an even more contemporary and functional bookcase: thanks to the insertion of a low upright it is possible to add a dedicated storage unit with doors to create a compartment above that can hold a TV screen up to 65" with a 165cm shelf above it.

 

The new cupboard can be equipped for the passage of cables, maintaining visual order and lightness; the doors are also available in smoked glass for the bookcase in stained black ash. With the introduction of these new modules, the hinges have also been updated to allow door adjustment and cushioned closure.

Franco Albini

I MAESTRI

Franco Albini

He was a major figure in the Rationalist Movement, excelling in architectural, furniture, industrial and museum design. After receiving a degree in architecture from the Politecnico di Milano in 1929, he worked with the Ponti and Lancia design studios.is work for the magazine Casabella also played a key part in his development, marking his conversion to the Rationalist Movement and his becoming its spokesman on the Italian cultural scene.

 

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