An outdoor table with a sleek design. The support structure reveals its uniqueness in the chrome-plating of the tubular steel uprights and in the colored lacquer finish of the laminate crosspieces.
The series includes tables, and square and rectangular side tables with painted finish, available in the colors of the Le Corbusier palette.
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PRODUCT CARE AND MAINTENANCE
In this manual you will find some recommendations for the care and maintenance of your Cassina products.
The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.
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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.
Designed for professionals and those seeking in-depth information.
2019
Le Corbusier, Charlotte Perriand and Pierre Jeanneret exhibited the first version of this table in 1929 at the Salon d’Automne [Autumn Salon] in Paris as part of the “Équipement Intérieur d’une Habitation” [Interior Home Furnishings] stand.
The table, in its original size, which was originally presented as a writing desk, was revisited by Perriand in 1984, and relaunched by Cassina one year later, offering new features to keep pace with contemporary needs.
Available in the outdoor version are low tables (120x80 cm and 70x70 cm), with stainless-steel structure and textured powder-coat finish specifically for outdoor use, in five colours.
Regular use of protective covers, available for separate purchase, helps preserve the aesthetic and functional characteristics of the outdoor product.
However, it is recommended to place products intended for outdoor use in controlled environments such as verandas and covered or partially covered terraces, avoiding full exposure to direct sunlight and weather conditions.
I MAESTRI
In 1922, Le Corbusier began working in the new rue de Sèvres, Paris, atelier with his cousin Pierre Jeanneret with whom he shared research projects and design criteria in a profound and life-long professional relationship. In October 1927, the pair decided to draw on the contribution of a young architect who had already begun to establish a reputation on the architectural scene of the time: Charlotte Perriand. Their collaboration lasted through to 1937 and was extremely fruitful, especially in the field of furniture design.
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