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5 Canapé, Appartement Le Corbusier

DESIGN BY Le Corbusier, 1974

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Upholstery Colour

CONTEMPORARY ELEGANCE 

Comfortable, contemporary lines distinguish this sofa designed by Le Corbusier for his Paris apartment, where the original model is still preserved – the one that inspired a lengthy re-edition process carried out by Cassina.

FABRIC

LEATHER

DESIGN BY

Le Corbusier

PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

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Certifications and Assembly

This section contains, where available, the certifications regarding quality, safety, and compliance standards, as well as the instructions for the correct installation of the item.

PRODUCTION YEAR

2014

Comfortable, contemporary lines set apart this sofa designed by Le Corbusier for his Paris apartment, where the original model is still preserved, and that inspired the lengthy re-edition process carried out by Cassina. In 1974, Charlotte Perriand collaborated in the first reworking of the original, in one size only, with chrome finish. Over the years, the finishes have been expanded and the sizes modified. The comfortable, elegant structure is dominated by the feather-filled cushions that form the backrest and seat, supported by an instantly recognizable metal base available in the seven collection colours. The current two- or three-seat edition comes with leather or fabric upholstery. This model is part of the Le Corbusier®, Pierre Jeanneret®, Charlotte Perriand® Collection.

Le Corbusier Pierre Jeanneret

I MAESTRI

Le Corbusier

Integré à la Collection Le Corbusier®, Pierre Jeanneret®, Charlotte Perriand® - Collection Cassina iMaestri
Charles-Edouard Jeanneret, known as Le Corbusier, was born at La Chaux-de-Fonds, in the Swiss Jura, in 1887; he died in France, at Roquebrune-Cap-Martin, on the French Côte d’Azur, in 1965.Early in his career his work met with some resistance owing to its alleged «revolutionary» nature and the radical look it acquired from its «purist» experiments; in time , however, it won the recognition it deserved and it is still widely admired

 

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