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6 Table tube d’avion

DESIGN BY Le Corbusier, Pierre Jeanneret, Charlotte Perriand, 1974

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MASTERPIECE OF DESIGN

Expression of the lengthy research conducted by Cassina on the masterpieces of the great masters, the Table tube d’avion design table is one of the first studio models introduced by Le Corbusier, Pierre Jeanneret and Charlotte Perriand at the Salon D’Automne in Paris in 1929.

DESIGN BY

Le Corbusier, Pierre Jeanneret, Charlotte Perriand

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scheda-prodotto-6-Table-tube-d’avion.pdf
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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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Certifications and Assembly

This section contains, where available, the certifications regarding quality, safety, and compliance standards, as well as the instructions for the correct installation of the item.

PRODUCTION YEAR

1974

The core concept for the Table tube d’avion table, introduced in 1929 at the Salon d’Automne [Autumn Salon], lies in the distinction between the support piece and the piece being supported; in other words, between the base and the top.

 

The separation of the two parts is highlighted by the four intermediate supports that serve both as level adjusters and as spacers between the mass of the support and the slender lines of the top.

 

Specifically, the base was designed in 1928, taking its cue from the oval profiles used in the aeronautical sector to separate the wings of biplanes. The current model has a steel base painted in the Le Corbusier palette of colours, while the top comes in clear glass, textured glass, or in luxurious Bianco Carrara or Nero Marquinia marble.

Le Corbusier Pierre Jeanneret Charlotte Perriand

I MAESTRI

Le Corbusier, Pierre Jeanneret, Charlotte Perriand

In 1922, Le Corbusier began working in the new rue de Sèvres, Paris, atelier with his cousin Pierre Jeanneret with whom he shared research projects and design criteria in a profound and life-long professional relationship. In October 1927, the pair decided to draw on the contribution of a young architect who had already begun to establish a reputation on the architectural scene of the time: Charlotte Perriand. Their collaboration lasted through to 1937 and was extremely fruitful, especially in the field of furniture design.

 

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