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Veliero

DESIGN BY Franco Albini, 2011

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STATE OF BALANCE

The iconic Veliero bookcase re-invents the concept of balance, becoming the furniture poster child for the visionary work of Franco Albini. Given its flexible use, this double-sided bookcase with solid wood uprights can serve as a room divider, as a ‘furnished window’ with a view of fresh new scenarios in contemporary living.

DESIGN BY

Franco Albini

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veliero_838.pdf
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997 KB
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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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PRODUCTION YEAR

2011

Defying the laws of physics, going beyond what we normally understand by the conditions of equilibrium, this bookcase is nothing short of a manifesto for Cassina’s design and construction capabilities.

 

After a lengthy period of research and development, ably assisted by state-of-the-art technology, the company’s designers created a production prototype of the original 1940 piece that architect Franco Albini made as a one-off for his Milan home.

 

Respecting the authentic underlying concept of the design, with its compelling experimental feel, as well as its surprisingly spare, linear looks, today’s model preserves the minimal ideal of the original: a feeling of air and light so that the books and objets seem to float free.

 

Thus does Cassina restore to the contemporary world of design one of its most emblematic artefacts, a piece that has acquired the status of a work of art, as magical now as it was when it was first seen.

Franco Albini

I MAESTRI

Franco Albini

Franco Albini was a major figure in the Rationalist Movement, excelling in architectural, furniture, industrial and museum design. After receiving a degree in architecture from the Politecnico di Milano in 1929, he worked with the Ponti and Lancia design studios.is work for the magazine Casabella also played a key part in his development, marking his conversion to the Rationalist Movement and his becoming its spokesman on the Italian cultural scene.

 

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