A seat that has written its own chapter in design history, becoming an icon of global fame.
To celebrate 60 years of production of the Le Corbusier®, Pierre Jeanneret®, Charlotte Perriand® Collection, the armchair is presented in a limited time edition, crafted with circular materials and upholstered in soft mohair velvet, paired tone-on-tone with the metal structure.
PRODUCT CARE AND MAINTENANCE
In this manual you will find some recommendations for the care and maintenance of your Cassina products.
The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.
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1965
Designed for conversation and exhibited at the Salon d’Automne in Paris in 1929 as the archetype of the modern concept of furnishings, interpreted by its authors as “household equipment”, the armchair is honoured in its 60th anniversary of production with a special edition.
The separation between the metal structure and the cushions is consistent with the principles of Rationalism, just as the separation between the parts is based on an industrial approach to production, reminiscent of the architectural relationship between the loadbearing structure and the in-fill elements. Preserving the aesthetics, features, and dimensions of the iconic model that has written its own chapter in design history, becoming an icon of global fame, 2 Fauteuil Grand Confort, petit modèle, durable, 60 is proposed in a version made with circular materials, with the tubular metal structure in three new finishes – polished red, blue or green colour with tone-on-tone coordinated upholstery in soft mohair fabric.
I MAESTRI
In 1922, Le Corbusier began working in the new rue de Sèvres, Paris, atelier with his cousin Pierre Jeanneret with whom he shared research projects and design criteria in a profound and life-long professional relationship. In October 1927, the pair decided to draw on the contribution of a young architect who had already begun to establish a reputation on the architectural scene of the time: Charlotte Perriand. Their collaboration lasted through to 1937 and was extremely fruitful, especially in the field of furniture design.
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