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An icon with an aptitude for versatility and functionality designed in 1927 by Charlotte Perriand for her Paris atelier in Place Saint-Sulpice.
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Upholstery Colour
01 Description
02 Dimensions
03 Materials and finishes
04 Technical sheet
05 Product care
06 Downloads
BASE
Frame with 5 legs in tubular steel, polished chrome or painted finish.
PADDING
Foam fill. Resin treated polyester fibre batting laminated to fabric lining.
UPHOLSTERY
Fabric or leather. Black nylon cord to secure the upholstery.
DESIGN BY
PRODUCT CARE AND MAINTENANCE
In this manual you will find some recommendations for the care and maintenance of your Cassina products.
The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.
Downloads
Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.
Designed for professionals and those seeking in-depth information.
GALLERY
CONTENTS
DESIGNER
PRODUCTION YEAR
1978
An icon with an aptitude for versatility and functionality designed in 1927 by Charlotte Perriand for her Paris atelier in Place Saint-Sulpice.
The design was first exhibited at the Salon des Artistes Décorateurs [Decorative Artists Show] in 1928 and then at the Salon d'Automne [Autumn Salon] in 1929, and is now part of the Le Corbusier®, Pierre Jeanneret®, Charlotte Perriand® Collection.
The swivel armchair features backrest and seat cushion padded in polyurethane foam and polyester batting, with leather or fabric upholstery. Since 2016, the armchair has undergone a major structural update that led to its being awarded Catas certifications.
I MAESTRI
Designed by Charlotte Perriand and part of the Collection Le Corbusier, Pierre Jeanneret, Charlotte Perriand.
Charlotte Perriand full membership of that avant-garde cultural movement which, from the first decades of the twentieth century, brought about a profound change in aesthetic values and gave birth to a truly modern sensitivity towards everyday life. In this context, her specific contribution focuses on interior composition, conceived as creating a new way of living, still today at the heart of contemporary lifestyle.n the sphere of twentieth century furnishing history, the advent of modernity made possible the entrepreneurial audacity of this true reformer of interior design.