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Cornaro

DESIGN BY Carlo Scarpa, 2024

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SCULPTURAL ELEGANCE

Geometric austerity encounters enveloping padding in this sofa designed by maestro Carlo Scarpa in 1973.
Based on the contrast between the wooden structure and the soft cushions that form the backrest, seat and armrests, every detail of Cornaro is meticulously curated to highlight the original aesthetic of the model, updated in height and depth.

FABRIC

DESIGN BY

Carlo Scarpa

Filename
W08_Cornaro.pdf
Size
455 KB
Format
application/pdf
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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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PRODUCTION YEAR

2024

Designed in 1973 by Carlo Scarpa, Cornaro is distinguished by its unique material and structural contrasts. The geometrically austere base embraces the soft seat. The enveloping padded elements that form the backrest, seat and armrests are nestled in a sculptural wooden structure. The sofa’s proportions have been updated, increasing their height and depth, through in-depth research and development work carried out in close collaboration with Tobia Scarpa. Every detail was meticulously curated to highlight the original aesthetic of the model, like the exposed thin black saddle leather laces contained inside a grommet developed to simplify connecting the backrest to the structure. Cornaro is available as an armchair, sofa, or a two- or three-seat end element.

Carlo Scarpa

I CONTEMPORANEI

Carlo Scarpa

From architecture to works in glass, from design projects to preparing museum exhibitions, the work of Carlo Scarpa has always stood out in the unmistakable way in which it manages to bring together his love for materials, his attention to detail and his masterly elaboration of organic and Wrightian poetics. Architect, designer and artist, Scarpa left the Venice Academy of Art in 1926 and began professional work, but continued to visit craftsmen’s’ workshops and Venetian master glassworkers. For twenty years, right up until the second half of the Forties, he received numerous commissions to design, convert prepare buildings.


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