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3 fauteuil grand confort grand modèle
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The images shown are for illustrative purposes only.
The actual finishes and/or patterns may vary due to the unique characteristics of natural raw materials.
The images shown are for illustrative purposes only.
The actual finishes and/or patterns may vary due to the unique characteristics of natural raw materials.

3 Fauteuil Grand Confort, grand modèle

DESIGN BY Le Corbusier, Pierre Jeanneret, Charlotte Perriand, 1965

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TIMELESS COMFORT

In the various models of Fauteuil Grand Confort, grand modèle, the concept of modernity is expressed through the separation between the metal support frame and the upholstered elements.

 

Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authenticity.

FABRIC

LEATHER

DESIGN BY

Le Corbusier, Pierre Jeanneret, Charlotte Perriand

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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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Certifications and Assembly

This section contains, where available, the certifications regarding quality, safety, and compliance standards, as well as the instructions for the correct installation of the item.

Greenguard Gold 003 3 Fauteuil Grand Confort GM 092025

Greenguard Gold 003 3 Fauteuil Grand Confort GM 092025

Greenguard 003 3 Fauteuil Grand Confort GM 092025

Greenguard 003 3 Fauteuil Grand Confort GM 092025

BIFMA 003 3 Fauteuil Grand Confort GM 2020

BIFMA 003 3 Fauteuil Grand Confort GM 2020
01 dettagli 003 fauteuil grand confort grand modele
02 dettagli 003 fauteuil grand confort grand modele
02 dettagli 003 lc3 armchair armchair 2
05 dettagli 003 lc3 armchair armchiar 5
06 dettagli 003 lc3 armchair armchiar 6
01 dettagli 003 fauteuil grand confort grand modele
02 dettagli 003 fauteuil grand confort grand modele
02 dettagli 003 lc3 armchair armchair 2
05 dettagli 003 lc3 armchair armchiar 5
06 dettagli 003 lc3 armchair armchiar 6
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PRODUCTION YEAR

With the various models of Fauteuil Grand Confort, grand modèle, the concept of modernity is expressed through the separation between the metal support frame and the upholstered elements. The loose cushions are set inside a painted or chrome-plated tubular steel cage that forms the primary support for the piece in all its variations ‒ from the armchair with armrest on one or both sides, to the two- and three-seat sofas.

 

Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authentic nature. These models are also available in an eco-friendly version.

 

Thanks to a study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico University in Milan, the foam-fill parts, the padding in the cushions and the tubular structure are produced with sustainable materials and processes.

Le Corbusier Pierre Jeanneret Charlotte Perriand

I MAESTRI

Le Corbusier, Pierre Jeanneret, Charlotte Perriand

In 1922, Le Corbusier began working in the new rue de Sèvres, Paris, atelier with his cousin Pierre Jeanneret with whom he shared research projects and design criteria in a profound and life-long professional relationship. In October 1927, the pair decided to draw on the contribution of a young architect who had already begun to establish a reputation on the architectural scene of the time: Charlotte Perriand. Their collaboration lasted through to 1937 and was extremely fruitful, especially in the field of furniture design.

 

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