An updated structure, shell and black upholstery for the iconic Chaise longue à reglage continu - Noire, the ultimate chaise longue conveys the relationship between form and function in the balance between design purity and comfort.
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PRODUCT CARE AND MAINTENANCE
In this manual you will find some recommendations for the care and maintenance of your Cassina products.
The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.
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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.
Designed for professionals and those seeking in-depth information.
2012
Among the global Cassina best-sellers, it is the quintessential chaise longue, designed in 1928, based on in-depth research into reclinable chairs. The three designers envisioned the Chaise longue à réglage continu as an expression of the concept of relaxation, with a focus on the human body – the connection between form and function that is reflected in the balance between geometric purity and ergonomic intent. The stability of the daybed, at any angle of inclination, is ensured by rubber tubing that covers the crosspieces of the underlying frame. This model has now been brought back in a "full black" version – 4 Chaise longue à réglage continu, noire, durable – with the base, structure and upholstery in black. With sustainability in mind, this chaise is made using circular materials. The mattress padding is made of recycled polyester wadding and the headrest is in blown recycled polyester fibre. The interior of the mattress is now attached with velcro, a detail that allows easier disassembly of the product.
I MAESTRI
In 1922, Le Corbusier began working in the new rue de Sèvres, Paris, atelier with his cousin Pierre Jeanneret with whom he shared research projects and design criteria in a profound and life-long professional relationship. In October 1927, the pair decided to draw on the contribution of a young architect who had already begun to establish a reputation on the architectural scene of the time: Charlotte Perriand. Their collaboration lasted through to 1937 and was extremely fruitful, especially in the field of furniture design.
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