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Stadera

DESIGN BY Franco Albini, 2015

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BALANCE AT PLAY

The desk-table designed by Franco Albini makes a striking first impression, thanks to the two side-by-side trapezoidal tops supported by a single steel base, making it a piece of great tactile and visual sophistication.

DESIGN BY

Franco Albini

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stradera_840.pdf
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244 KB
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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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dimensioni 840 Stadera

PRODUCTION YEAR

2015

This table/writing desk, designed by Franco Albini consists of two trapezoidal planes, one smaller than the other, on a single steel support. This balancing act is characterised by the material richness of the planes, which are available in three types of wood, their shape being delineated by a frame. In each version of this piece, one plane is thicker than the other, the higher of the two available with a leather top. This accentuates the tactile and visual qualities of the piece. While the single- leg support might suggest a lack of balance, equilibrium is established using the principle of the Roman balance (stradera, in Italian), a form of weighing scale consisting of a beam with two arms of different lengths, and a counterweight that can be displaced along the graduated, longer arm.

Franco Albini

I MAESTRI

Franco Albini

He was a major figure in the Rationalist Movement, excelling in architectural, furniture, industrial and museum design. After receiving a degree in architecture from the Politecnico di Milano in 1929, he worked with the Ponti and Lancia design studios.is work for the magazine Casabella also played a key part in his development, marking his conversion to the Rationalist Movement and his becoming its spokesman on the Italian cultural scene.

 

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