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Charlotte Perriand
A six-sided table with an asymmetrical top that, in 1938, opened an innovative chapter in the history of design.
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Table Montparnasse
DESIGN BY Charlotte Perriand, 2024
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Upholstery Colour
01 Description
02 Dimensions
04 Technical sheet
05 Product care
06 Downloads
LEGS
Solid natural Canaletto walnut or ash stained black with low gloss finish.
TOP
Solid natural Canaletto walnut or ash stained black with low gloss finish.
DESIGN BY
PRODUCT CARE AND MAINTENANCE
In this manual you will find some recommendations for the care and maintenance of your Cassina products.
The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.
Downloads
Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.
Designed for professionals and those seeking in-depth information.
GALLERY
CONTENTS
DESIGNER
PRODUCTION YEAR
2024
Crafted in 1938 by Charlotte Perriand for her atelier in the eponymous Parisian district, Table Montparnasse is part of the famous «en forme libre» series of tables, designed to make the most of any space.
Thanks to its distinctive asymmetric shape composed of six sides, it is a unique model in the history of design that revolutionises the idea itself of the table, traditionally imagined in simple geometric shapes.
Despite resting on just three legs, the structure is extremely stable. It is characterised by an emblematic top designed by Perriand with dual purposes: on one hand, to create an object suitable for compact spaces, on the other, to comfortably accommodate a greater number of guests.
Cassina reveals this table, only seven exemplars of which were created during the 1940s and ‘50s, and introduces it in two types of wood with matt finish: natural Canaletto walnut and ash stained black.
I MAESTRI
Charlotte Perriand
Charlotte Perriand full membership of that avant-garde cultural movement which, from the first decades of the twentieth century, brought about a profound change in aesthetic values and gave birth to a truly modern sensitivity towards everyday life. In this context, her specific contribution focuses on interior composition, conceived as creating a new way of living, still today at the heart of contemporary lifestyle. In the sphere of twentieth century furnishing history, the advent of modernity made possible the entrepreneurial audacity of this true reformer of interior design.
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