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The structure of these design low tables by Charlotte Perriand is designed to occupy as little space as possible and can be grouped with several of its kind to create spacious, orderly arrangements.
The structure of these design low tables by Charlotte Perriand is designed to occupy as little space as possible and can be grouped with several of its kind to create spacious, orderly arrangements.
DESIGN BY
PRODUCT CARE AND MAINTENANCE
In this manual you will find some recommendations for the care and maintenance of your Cassina products.
The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.
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Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.
Designed for professionals and those seeking in-depth information.
2014
The respective Mexique table is included as one of the tables en forme libre created between 1938 and 1939, the final design was developed in 1952 for the students’ rooms of the Maison du Mexique at the Cité Universitaire Internationale in Paris. With a frame designed to be as compact as possible, the tables could be juxtaposed to create larger, symmetrical units.
In 1952, the wooden legs were replaced by triangular-section bent metal. In 1956, the low-level version was created for the Galerie Steph Simon in Paris. The generous depth of the wooden table-top, available in solid wood, as well as with a gloss or matte finish, resonates with rare beauty. Meanwhile, form follows function in the edges form, reflecting the size of the human hand.
In 2018, two new dining table variants of the Mexique are being launched, designed to accommodate between five and six guests. In addition, a number of new finishes enhance further the potential for these tables to work together and serve new purposes.
I MAESTRI
Charlotte Perriand full membership of that avant-garde cultural movement which, from the first decades of the twentieth century, brought about a profound change in aesthetic values and gave birth to a truly modern sensitivity towards everyday life. In this context, her specific contribution focuses on interior composition, conceived as creating a new way of living, still today at the heart of contemporary lifestyle. In the sphere of twentieth century furnishing history, the advent of modernity made possible the entrepreneurial audacity of this true reformer of interior design.
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