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Orseolo

DESIGN BY Carlo Scarpa, 1972

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Upholstery Colour

BEAUTY OVER TIME

A modern table but, above all, an absolute masterpiece and unsurpassed model of formal beauty, inspired by the intuitive insight of Carlo Scarpa.

DESIGN BY

Carlo Scarpa

Filename
scheda-prodotto-w05-orseolo.pdf
Size
1 MB
Format
application/pdf
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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

Downloads

Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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dimensioni W05 Orseolo

Certifications and Assembly

This section contains, where available, the certifications regarding quality, safety, and compliance standards, as well as the instructions for the correct installation of the item.

PRODUCTION YEAR

1972

An absolute masterpiece, this unparalleled model of formal beauty was the fruit of an epiphany on the part of Carlo Scarpa, the designer. The Orseolo table is constructed from sheets of MDF coated in a thick layer of mirror- shine or matte polyester lacquer; this is poured hot onto the wood surface and then brushed and polished using special machines. The linear panels are joined together with satin-finish cast aluminium fasteners, which serve a dual purpose. Both aesthetic and functional, they relieve the stress at the critical points of the table, and thus help preserve the beauty of the lacquer finish.

Carlo Scarpa

I CONTEMPORANEI

Carlo Scarpa

From architecture to works in glass, from design projects to preparing museum exhibitions, the work of Carlo Scarpa has always stood out in the unmistakable way in which it manages to bring together his love for materials, his attention to detail and his masterly elaboration of organic and Wrightian poetics. Architect, designer and artist, Scarpa left the Venice Academy of Art in 1926 and began professional work, but continued to visit craftsmen’s’ workshops and Venetian master glassworkers. For twenty years, right up until the second half of the Forties, he received numerous commissions to design, convert prepare buildings.

 

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