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TL3

DESIGN BY Franco Albini, 2013

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DESIGNER TABLE

A design table with an innovative take-apart concept for which architect Franco Albini uses the strut component, a recurring theme in his concept and a solution already employed in the iconic Veliero and Infinito bookcases.

DESIGN BY

Franco Albini

Filename
tl3_839.pdf
Size
283 KB
Format
application/pdf
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PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

Downloads

Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

dimensioni 839 TL3
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2d dwg / 3D dwg
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PRODUCTION YEAR

2013

Franco Albini designed this table using the strut element that he had already employed in the design of the Veliero and Infinito bookshelves.

 

In this instance, the legs serve as the vertical elements, solid, turned along their entire surface except for the square section onto which the horizontal table- top is installed. The upturned wooden cones that surmount each leg act as spacers between the cross-beams of the frame and the table-top which, given how light it looks, almost seems to hang suspended in mid-air.

 

The connection between the legs and the cross-pieces is highlighted by visible screws. These remind us that the TL3 table can be disassembled. Cassina’s revisitation of this table, effected in collaboration with the Fondazione Albini, is based on archive drawings and includes the use of a glass table-top so that the impeccable carpentry details can be seen more clearly.

Franco Albini

I MAESTRI

Franco Albini

He was a major figure in the Rationalist Movement, excelling in architectural, furniture, industrial and museum design. After receiving a degree in architecture from the Politecnico di Milano in 1929, he worked with the Ponti and Lancia design studios.is work for the magazine Casabella also played a key part in his development, marking his conversion to the Rationalist Movement and his becoming its spokesman on the Italian cultural scene.

 

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