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Table basse en forme libre

DESIGN BY Charlotte Perriand, 2025

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FLUID ASYMMETRIES

Soft, enveloping shapes characterise the design low table authored by Charlotte Perriand in 1959. A low version of the ‘en forme libre’ dining table designed in 1928 for her Montparnasse atelier, it maintains the same perfectly calibrated proportions and spatial presence.

DESIGN BY

Charlotte Perriand

PRODUCT CARE AND MAINTENANCE

In this manual you will find some recommendations for the care and maintenance of your Cassina products.

The materials are divided into different categories; each one is accompanied by its own information sheet with instructions, preventative measures and methods for cleaning.

Downloads

Access 2D and 3D drawings, technical sheets, and complete documentation to explore every detail of our products.

Designed for professionals and those seeking in-depth information.

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PRODUCTION YEAR

1959/2025

Charlotte Perriand typically produced low versions of her dining tables to meet different needs. Thus, the origins of this coffee table, an adaptation of the “en forme libre” table, called “feuille” [leaf] – from which it takes its name and proportions – designed in Japan in 1953. The considerable thickness of the tabletop, along with the cylindrical legs, emphasizes its sculptural appearance, while the rounded corners soften its presence, making it functional and pleasant in the living space.

 

Logo and signature with progressive numbering located on the underside of the tabletop.

Charlotte Perriand

I MAESTRI

Charlotte Perriand

Charlotte Perriand full membership of that avant-garde cultural movement which, from the first decades of the twentieth century, brought about a profound change in aesthetic values and gave birth to a truly modern sensitivity towards everyday life. In this context, her specific contribution focuses on interior composition, conceived as creating a new way of living, still today at the heart of contemporary lifestyle. In the sphere of twentieth century furnishing history, the advent of modernity made possible the entrepreneurial audacity of this true reformer of interior design.

 

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